Sound mix for new short film The Fallen Woman completed at Goldcrest

Am stoked to announce that the sound mix for my new short film The Fallen Woman has been completed!

The journey began when Supervising Sound Editor Nick Dixon — who worked on my previous short Friend — returned to collaborate on the supernatural thriller, creating an atmospheric and densely layered mix at Black Edge Sound Studios.

*Supervising Sound Editor Nick Dixon returned to create the sound mix for The Fallen Woman*

Nick assembled a superb team, with foley being created by Ben Cross and Ian Waggott (whose credits include such films as Saint Maud and Possessor) and dialogue being finessed by award-winning Dialogue Editor Chris Roberts at Resound Sound.

The final mix was then completed by Re-Recording Mixer Conor Kelly at Goldcrest Post Production in Soho. It was a thrill to sit in with Conor as he fine-tuned the mix to create 5.1 and stereo versions that truly allowed Nick and his team’s hard work to shine.

*Re-Recording Mixer Conor Kelly creating the final mix at Goldcrest*

Sound is a labour-intensive and critical element in a film’s effectiveness, and I’m immensely grateful for the long hours and expert craftsmanship the team have devoted to the film.

The next step will be submitting The Fallen Woman to festivals - with a bit of luck we’ll be hearing this stunning mix with an audience in the near future. Watch this space!